Tuesday, July 26, 2016

"Not That Guy"

"It's been a long time, now I'm, coming back home..."

Truer words have never been sung.

Contrary to the wildly exaggerated rumors of my incarceration for grand theft auto (out-of-date inspection sticker) and a mid-life crisis walkabout (spent a few hours at a Vespa shop), I'm still very much here, folks.

Granted, not that you'd know it.

After spending the last few years behind the scenes - building a new studio, producing/mixing for various artists and writing for such publications as Guitar World and Songwriter's Market - I've finally gotten the chance to return to my original post as singer-songwriter with the release (7/22) of a newly minted single, "Not That Guy" (DreamCrush Music).

An up-tempo, piano-driven, (some have even said "jaunty" - don't you love that word?) pop rock ode to the perils of "friend zone" banishment, "Not That Guy" features my old friend Jay Sherman-Godfrey (TMBG, Laura Cantrell) on guitars/bass/keys, Joe McGinty (Ryan Adams, Ronnie Spector) on piano and was mastered by Ted Jensen (Paul McCartney, Eagles) at Sterling Sound.

Given my schedule, I've found myself a bit time challenged of late when it comes to recording music for myself as an artist. Rather than waiting to amass an album's worth of new material before sending it all out into the world, I thought why not release the new tunes as I finish them? As such, "Not That Guy" marks the first of several, single song releases I have planned for the coming months.

I mean, unless I pick up that Vespa or something.


Sample/purchase "Not That Guy" at iTunes

Sample/purchase "Not That Guy" at Amazon

Purchase "Not That Guy" in CD format

Saturday, March 7, 2015

The Queens English 2.0

After crawling out from under four months worth of construction materials, acoustic treatments and patch cables last April, I quietly went back to work in my shiny, new studio space (left/below) somehow neglecting to alert the media (aka your bad selves) that The Queens English 2.0 had become a reality. Now, close to a year later, in efforts to remedy my oversight (& obvious lack of business sense), I thought I’d spread the word about my new-ish, sonic sanctuary.

Starting to feel as if I’d outgrown the original QE, I decided to take the plunge and design/construct a new, custom studio space from the ground up. Being as dangerous with a hammer as a dude with gambling issues at the track, I found a good acoustic consultant and a solid contractor and we were off to the races. A few, um, “interesting” and semi-daunting months later, a fully heated, cooled, ventilated, soundproofed and acoustically treated cozy but effective studio was born.

That said, it's important for me to make the distinction that I don't view the space as a traditional, commercial “studio” for rent, per say, but rather a sonic laboratory/workshop for all my musical endeavors, ranging from production work for other artists, to tracking or mixing gigs, to composing original music for picture.

So if you’re a singer-songwriter looking for someone with my musical sensibilities to produce-record-mix your new tune, give me a holler. If, maybe, you're looking to record a VO or podcast or even looking to mix a track you recorded on your laptop, hit me up, I'd be happy to hear from you. Likewise, if you're looking for someone to score your ad spot or indie film, feel free to reach out as well. Never working on the clock (a total drag, I've been there) we offer affordable, per-project rates for every budget.

To make contact to discuss a project, please email me at – mark@thequeensenglish.com or visit www.thequeensenglish.com for work samples and more info.

Let's make some awesome music together in the new digs, shall we?

God save the Queens!



Monday, April 23, 2012

Introducing Intro.Verse.Chorus

Wanted to interrupt our regularly scheduled programming to let you know about a pet project of mine called - intro.verse.chorus

Newly launched, intro.verse.chorus is a website/blog dedicated to the art of songwriting. In addition to maintaining my personal Blog here, I’ll also be writing for intro.verse.chorus as well as curating, with other writers contributing as we go. The idea being sort of a ‘songwriters on songwriting’ kind of collective. If you’re a musician, songwriter or even an Über-music fan curious to see what goes on under the hood, I think you’ll enjoy this site.

Check out our launch post to learn more or jump straight to the main URL here…


for the latest piece featuring the first installment of a master class series with singer/songwriter and Composer Fellow of the Sundance Institute, David Poe.

Lastly, selected posts from my personal intro.verse.chorus contributions will also be featured on my Guitar World Blog.

Please visit IVC if you can, subscribe if you like (RSS or email) and pass it along to the musician, songwriter or music lover in your life.

Thanks, as always!

Write on…


Follow @IVChorus on Twitter
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Tuesday, January 10, 2012

Look Ma!

Flop of the World...

Thought I'd kick off the new year on a positive note and share some hot-off-the-press music. See below for the self-doubting, tongue-in-cheek title track to my (some time in the distant future) new album, "Flop of the World".

(Yes, music journos, I know the title's a "gimme", snark away).

Produced by yours truly and my musical director of some 38 years, Jay Sherman-Godfrey, "Flop..." will be streaming here on the Blog for your listening pleasure through 1/22/12.

Lyrically speaking, the writing for this new album seems to be shaping up as kind of a loose exploration in perspective (one man's ceiling..., etc)
and how it relates to our definitions of "success/failure", whether it be in life or in love.

Musically, the record looks as if it might turn out to be a mingling of French Quarter-infused, music hall romps and "Million Dollar Milkshake"-era powerpop jams. Sounds odd? Possibly so. But maybe it's all in the way you look at it.


Mark Bacino - "Flop of the World" by markbacino

Flop of the World

Flop of the world,
Flop of the world
Looking up at the bottom
Even the Japanese forgot him
Flop of the world…

”Don’t change you’re beautiful, each song’s a hit
Just try and lay off of that 70’s bit.
Think something edgy, outside the box
How ‘bout some hip hop, or some classic rock?”

Flop of the world,
Flop of the world
Looking up at the bottom
Even the Japanese forgot him
Flop of the world…

Does this sound hipper?
Angry and lean
Should I try screamin’?
I’m not that mean, it’s not my scene...

Maybe it's true, maybe I’m not that great
Even this melody is second rate
Just a legend in my own mind
Soon flipping burgers for the take-out line…

Flop of the world (look Ma!),
Flop of the world
Looking up at the bottom
Even the Japanese forgot him
Flop of the world

Flop of the world
Flop of the world…


Monday, July 25, 2011


"...And the livin' is easy"

Or at least so goes the Gershwin classic. And, really, I can't argue as I check in from this quiet, country cottage Southampton way; Our family, seaside vaca in full swing.

That said, truth be told, I'm not a big fan of the summer; never have been. I come from a long line of perspiring Sicilians. Growing up my Dad had an air conditioner in every room of the house. One August day our neighbor came to visit wearing a parka. He thought we were crazy but we were happy as clams (in the freezer section).

In addition to my freon-dependent DNA, I also think my long-standing summer reservations neurotically stem from feelings of intimidation fueled by the expectations of all those "Hot Fun in the Summertime" cliches that accompany the season - Like, what if I don't particularly feel like having fun, fun, fun? Or worse yet, what if I really try to have a sunny, sultry blast but my summer's a total wipe out? Isn't that way too much pressure to put on one's self... especially when it's so damn hot?

But, just as the seasons change, surprisingly, I find myself loosening up a bit these days when it comes to my summertime blues. Despite my contempt for temperatures above 70 degrees (and an acute shorts phobia), I've promised myself to at least try and take advantage of some of what these brief, sun-drenched months have to offer, expectations be damned, before Daddy takes that T-Bird away.


PS - In keeping with the spirit of this post, check out one of my favorite "summer" songs below by my old pal, Michael Shelley -

(Can't see the player? Click here to listen)



Tuesday, February 15, 2011

Liner Notes

I was recently approached by pop music Blog, "Pop Fair" and asked if I might have any rare/unreleased tracks, demos, etc I might be willing to share with their readers. I thought it was a cool idea and a fun way to say thanks to all who have listened over the years so I decided to give the project a go. After putting in some thought and receiving some great suggestions from the Pop Fair folks themselves, we dug through the vaults to come up with a (hopefully) interesting and different collection of material.

Currently posted on Pop Fair as a free digi EP download, I realized that maybe some peeps might enjoy this somewhat random collection of odds and sods a little better if they knew the back stories behind the tunes. So, as such, here goes...

"Every Night"

Some years back I was asked to contribute to a Macca tribute album the proceeds of which were to benefit cancer research. I'm usually not a big fan of "tribute records" but since this one would be helping a worthy cause and as the source material was that of Sir Paul's, how could I

The Paulie track I decided to cover was one of my faves of his, "Every Night". After mulling it over a bit, I decided to keep my arrangement fairly close to the original with a few embellishments. Why mess with perfection, right?

In the end, the project became a really nice double-disc affair (Oglio Records), featuring some scrappy up-and-comers such as myself as well as some very talented, well-established artists like Neil & Tim Finn, Matthew Sweet, etc. Funny enough, the esteemed Mr. Sweet also chose to do a cover of "Every Night". Our takes on the tune are interestingly very similar, proving either great minds think alike... or we both were too chicken to mess with McCartney's vision.

Since this album is no longer officially in print, I thought it was fair game to share the track. That said, if you like what you hear, please consider making a donation to the charity's original recipient, The Susan G. Komen Foundation.

"In Colour"

As some may know, my alter-ego (he spells Mark w/ a "c") creates music for television from time to time. This track, pulled from my commercial jingle work, was originally pitched for an HP color printer ad. Sadly, it was never used for the campaign but I always liked the way it came out - sort of a glammy mix of T-Rex meets Bowie in vibe. Very 70's Brit-tastic (thus the English spelling of "color", of course).
I'm such a dorky Anglophile.

"Down to the River" (demo)

A few years back the word was out that one of my favorite 70's bands, America, was making a new album ("Here & Now") produced by Fountains of Wayne's Adam Schlesinger and Smashing Pumpkins' James Iha. Adam and James' intriguing premise for the project was to take the band back to their roots sound-wise while also having America record a few songs written by a new generation of pop songwriters who were influenced by the band. I asked Adam if I could submit something and he graciously said I could. Written in about two afternoons and quickly recorded in maybe two hours time, this bare-bones demo is what I submitted for the band's consideration.

Ultimately, "Down to the River" was passed on for the project with a lot of the outside writing credits going to higher profile artists such as My Morning Jacket, Nada Surf, etc. I was a little disappointed the tune didn't make the cut but felt a whole lot better when Adam told me Gerry and Dewey from America really dug the song and were seriously considering it. Honors enough for a kid who used to listen
with wonder to "Ventura Highway" on a tiny AM radio back in the 70's.

"(Love Theme From) Shark"

This tune comes to you direct from yet another failed TV pitch (it's a tough biz, folks). "Shark" was written
back in '06 as a potential theme song for a (short-lived) US television series/legal drama of the same name staring James Woods. Woods playing a notorious LA defense attorney who, disillusioned with his career, becomes a public prosecutor. If I remember right, they were looking for a theme with a "Mack the Knife" retro-vibe to it which I tried (emphasis on 'tried') to deliver.

For some reason this tune also reminds me a little of, dare I say, Jon Brion's work. A good thing to aspire to in my book.

"Camp Elmo" (Live Acoustic)

This live, stripped-down performance of the 'Queens English' song, "Camp Elmo" was pulled from one of my video Blogs and features my bud, Jay Sherman-Godfrey accompanying me on acoustic guitar and vocals. Minus the album version production, this take on the song assumes an almost country-ish, back porch vibe I kind of like.

"Listening to the Band"

This pop/punk cover of the great Michael Shelley song should technically be credited to 'The Clifton Foundation', a silly band/side-project that my wife and I launched just for kicks back in the early oughts. Aside from this tune (which was actually recorded as a birthday gift for Mr. Shelley), the Cliftons also partially recorded a yet unfinished EP. Maybe when our son goes off to college, my wife and I will try and finish it from our rocking chairs (emphasis on 'rocking').

"For Real"

This tune is yet another track that should really be credited to a side project/band of mine called, 'The Down Crowd'. This outfit was originally formed to explore some of my darker tunes. With elements of electronica sprinkled throughout the productions, it was sort of an interesting stylistic detour I might revisit one day, time permitting.

"Let's Go"

Another in a continuing series of rejected TV spots, this bouncy little ditty was composed for, of all things, a Hershey Theme Park (aka "The Sweetest Place on Earth") ad pitch. There was also a version of this tune with lyrics too embarrassing to ever be heard anywhere except within the confines of a park built on pure chocolate.

"Lighter Than Air"

One more time!.. failed television ad pitch # 1,015 (are you starting to see a trend here folks, maybe I should go back to grad school?). This one was submitted for a 3 Musketeers' commercial some time back that was aimed at the fairer sex and sang the praises of the chocolate bar as a lighter and somewhat less fattening snack. Ummm... Ok.

"(Do the) Juje"

Ah, success... finally! This fun instrumental was composed for and used on the now defunct but wildly popular male-makeover, TV series, "Queer Eye for the Straight Guy". I stole the title of the tune from a (faux French?) nonsensical, buzz word that one of the show's stars, Carson Kressley, often used to describe adding a stylish little adjustment or tweak to someone's look in order to amp it up - "Just give it a little juje and there you go!..".

Hope you enjoy the download! Thanks for listening and if you're new to my music and haven't done so as of yet, please visit my site and join the mailing list, I'd love to stay in touch.



Thursday, January 27, 2011

I Am What I Am...

"I yam what I yam and that's all that I yam!"

Sage advice from the spinach huffing sailor man of yore.

Watching Popeye cartoons as a kid, I don't think I ever fully appreciated the depth of that little pronouncement. Thinking back on it's meaning now as an adult, I realize it's quite a useful mantra when the idealism of youth yields to the cold, hard facts of grownups-ville. When things, maybe not turning out as expected on that bumpy road into town, force one to reconcile who they've become with who they thought they'd be.

I find the same applies in art as it does life.

With the first month of the new year almost a memory and 2010 fading into the distance, I've found myself running into many of those inevitable, year-in-review, "Best Of" lists folks in the music world, journalists and fans alike, enjoy assembling. I guess these compilations are fun to read but at the same time, probably a little dangerous to hold too much stock in especially if stuff you've created stands to very likely be omitted from such rundowns. That said, I also have to admit it's kind of flattering when the work you've done is actually included in the roll call.

Releasing "Queens English" back in the spring, I feared I might alienate some hardcore fans of the power pop vibe who've previously supported my music since "QE" is, stylistically,
a touch outside the genre and a little different from what I've done in the past. As such, it was kind of cool and in some ways validating to see the album appear on a number of these aforementioned "Best Of" lists especially those within the pop scene. While certainly being a full on pop record in my mind, I also knew "QE" was not "Pop Job 2.0". With downtown guitars replaced by uptown horns and "Who's your daddy?" lyrical content substituted with tales of baby-daddies, it was, indeed, a bit of a change up but one, nonetheless, a sailor man with heart-on-his-sleeve leanings had to make. I really had no choice.

I am what I am... Hope you are too.