Showing posts with label Pop music. Show all posts
Showing posts with label Pop music. Show all posts

Tuesday, January 10, 2012

Look Ma!

Flop of the World...

Thought I'd kick off the new year on a positive note and share some hot-off-the-press music. See below for the self-doubting, tongue-in-cheek title track to my (some time in the distant future) new album, "Flop of the World".

(Yes, music journos, I know the title's a "gimme", snark away).

Produced by yours truly and my musical director of some 38 years, Jay Sherman-Godfrey, "Flop..." will be streaming here on the Blog for your listening pleasure through 1/22/12.

Lyrically speaking, the writing for this new album seems to be shaping up as kind of a loose exploration in perspective (one man's ceiling..., etc)
and how it relates to our definitions of "success/failure", whether it be in life or in love.

Musically, the record looks as if it might turn out to be a mingling of French Quarter-infused, music hall romps and "Million Dollar Milkshake"-era powerpop jams. Sounds odd? Possibly so. But maybe it's all in the way you look at it.

XO,
-mb

Mark Bacino - "Flop of the World" by markbacino

Flop of the World

Flop of the world,
Flop of the world
Looking up at the bottom
Even the Japanese forgot him
Flop of the world…

”Don’t change you’re beautiful, each song’s a hit
Just try and lay off of that 70’s bit.
Think something edgy, outside the box
How ‘bout some hip hop, or some classic rock?”

Flop of the world,
Flop of the world
Looking up at the bottom
Even the Japanese forgot him
Flop of the world…

Does this sound hipper?
Angry and lean
Should I try screamin’?
I’m not that mean, it’s not my scene...

Maybe it's true, maybe I’m not that great
Even this melody is second rate
Just a legend in my own mind
Soon flipping burgers for the take-out line…

Flop of the world (look Ma!),
Flop of the world
Looking up at the bottom
Even the Japanese forgot him
Flop of the world

Flop of the world
Flop of the world…


www.markbacino.com
www.dreamcrushmusic.com

Tuesday, February 15, 2011

Liner Notes

I was recently approached by pop music Blog, "Pop Fair" and asked if I might have any rare/unreleased tracks, demos, etc I might be willing to share with their readers. I thought it was a cool idea and a fun way to say thanks to all who have listened over the years so I decided to give the project a go. After putting in some thought and receiving some great suggestions from the Pop Fair folks themselves, we dug through the vaults to come up with a (hopefully) interesting and different collection of material.

Currently posted on Pop Fair as a free digi EP download, I realized that maybe some peeps might enjoy this somewhat random collection of odds and sods a little better if they knew the back stories behind the tunes. So, as such, here goes...

"Every Night"

Some years back I was asked to contribute to a Macca tribute album the proceeds of which were to benefit cancer research. I'm usually not a big fan of "tribute records" but since this one would be helping a worthy cause and as the source material was that of Sir Paul's, how could I
refuse?

The Paulie track I decided to cover was one of my faves of his, "Every Night". After mulling it over a bit, I decided to keep my arrangement fairly close to the original with a few embellishments. Why mess with perfection, right?

In the end, the project became a really nice double-disc affair (Oglio Records), featuring some scrappy up-and-comers such as myself as well as some very talented, well-established artists like Neil & Tim Finn, Matthew Sweet, etc. Funny enough, the esteemed Mr. Sweet also chose to do a cover of "Every Night". Our takes on the tune are interestingly very similar, proving either great minds think alike... or we both were too chicken to mess with McCartney's vision.

Since this album is no longer officially in print, I thought it was fair game to share the track. That said, if you like what you hear, please consider making a donation to the charity's original recipient, The Susan G. Komen Foundation.


"In Colour"

As some may know, my alter-ego (he spells Mark w/ a "c") creates music for television from time to time. This track, pulled from my commercial jingle work, was originally pitched for an HP color printer ad. Sadly, it was never used for the campaign but I always liked the way it came out - sort of a glammy mix of T-Rex meets Bowie in vibe. Very 70's Brit-tastic (thus the English spelling of "color", of course).
I'm such a dorky Anglophile.


"Down to the River" (demo)

A few years back the word was out that one of my favorite 70's bands, America, was making a new album ("Here & Now") produced by Fountains of Wayne's Adam Schlesinger and Smashing Pumpkins' James Iha. Adam and James' intriguing premise for the project was to take the band back to their roots sound-wise while also having America record a few songs written by a new generation of pop songwriters who were influenced by the band. I asked Adam if I could submit something and he graciously said I could. Written in about two afternoons and quickly recorded in maybe two hours time, this bare-bones demo is what I submitted for the band's consideration.

Ultimately, "Down to the River" was passed on for the project with a lot of the outside writing credits going to higher profile artists such as My Morning Jacket, Nada Surf, etc. I was a little disappointed the tune didn't make the cut but felt a whole lot better when Adam told me Gerry and Dewey from America really dug the song and were seriously considering it. Honors enough for a kid who used to listen
with wonder to "Ventura Highway" on a tiny AM radio back in the 70's.


"(Love Theme From) Shark"

This tune comes to you direct from yet another failed TV pitch (it's a tough biz, folks). "Shark" was written
back in '06 as a potential theme song for a (short-lived) US television series/legal drama of the same name staring James Woods. Woods playing a notorious LA defense attorney who, disillusioned with his career, becomes a public prosecutor. If I remember right, they were looking for a theme with a "Mack the Knife" retro-vibe to it which I tried (emphasis on 'tried') to deliver.

For some reason this tune also reminds me a little of, dare I say, Jon Brion's work. A good thing to aspire to in my book.



"Camp Elmo" (Live Acoustic)

This live, stripped-down performance of the 'Queens English' song, "Camp Elmo" was pulled from one of my video Blogs and features my bud, Jay Sherman-Godfrey accompanying me on acoustic guitar and vocals. Minus the album version production, this take on the song assumes an almost country-ish, back porch vibe I kind of like.


"Listening to the Band"

This pop/punk cover of the great Michael Shelley song should technically be credited to 'The Clifton Foundation', a silly band/side-project that my wife and I launched just for kicks back in the early oughts. Aside from this tune (which was actually recorded as a birthday gift for Mr. Shelley), the Cliftons also partially recorded a yet unfinished EP. Maybe when our son goes off to college, my wife and I will try and finish it from our rocking chairs (emphasis on 'rocking').


"For Real"

This tune is yet another track that should really be credited to a side project/band of mine called, 'The Down Crowd'. This outfit was originally formed to explore some of my darker tunes. With elements of electronica sprinkled throughout the productions, it was sort of an interesting stylistic detour I might revisit one day, time permitting.


"Let's Go"

Another in a continuing series of rejected TV spots, this bouncy little ditty was composed for, of all things, a Hershey Theme Park (aka "The Sweetest Place on Earth") ad pitch. There was also a version of this tune with lyrics too embarrassing to ever be heard anywhere except within the confines of a park built on pure chocolate.


"Lighter Than Air"

One more time!.. failed television ad pitch # 1,015 (are you starting to see a trend here folks, maybe I should go back to grad school?). This one was submitted for a 3 Musketeers' commercial some time back that was aimed at the fairer sex and sang the praises of the chocolate bar as a lighter and somewhat less fattening snack. Ummm... Ok.


"(Do the) Juje"

Ah, success... finally! This fun instrumental was composed for and used on the now defunct but wildly popular male-makeover, TV series, "Queer Eye for the Straight Guy". I stole the title of the tune from a (faux French?) nonsensical, buzz word that one of the show's stars, Carson Kressley, often used to describe adding a stylish little adjustment or tweak to someone's look in order to amp it up - "Just give it a little juje and there you go!..".

Hope you enjoy the download! Thanks for listening and if you're new to my music and haven't done so as of yet, please visit my site and join the mailing list, I'd love to stay in touch.

XO,
-mb

www.markbacino.com
www.dreamcrushmusic.com

Thursday, January 27, 2011

I Am What I Am...

"I yam what I yam and that's all that I yam!"

Sage advice from the spinach huffing sailor man of yore.

Watching Popeye cartoons as a kid, I don't think I ever fully appreciated the depth of that little pronouncement. Thinking back on it's meaning now as an adult, I realize it's quite a useful mantra when the idealism of youth yields to the cold, hard facts of grownups-ville. When things, maybe not turning out as expected on that bumpy road into town, force one to reconcile who they've become with who they thought they'd be.

I find the same applies in art as it does life.

With the first month of the new year almost a memory and 2010 fading into the distance, I've found myself running into many of those inevitable, year-in-review, "Best Of" lists folks in the music world, journalists and fans alike, enjoy assembling. I guess these compilations are fun to read but at the same time, probably a little dangerous to hold too much stock in especially if stuff you've created stands to very likely be omitted from such rundowns. That said, I also have to admit it's kind of flattering when the work you've done is actually included in the roll call.

Releasing "Queens English" back in the spring, I feared I might alienate some hardcore fans of the power pop vibe who've previously supported my music since "QE" is, stylistically,
a touch outside the genre and a little different from what I've done in the past. As such, it was kind of cool and in some ways validating to see the album appear on a number of these aforementioned "Best Of" lists especially those within the pop scene. While certainly being a full on pop record in my mind, I also knew "QE" was not "Pop Job 2.0". With downtown guitars replaced by uptown horns and "Who's your daddy?" lyrical content substituted with tales of baby-daddies, it was, indeed, a bit of a change up but one, nonetheless, a sailor man with heart-on-his-sleeve leanings had to make. I really had no choice.

I am what I am... Hope you are too.


www.markbacino.com
www.dreamcrushmusic.com

Tuesday, November 23, 2010

Reelin' in the Years Pt. II



"How About Always" from an appearance on the television show Fearl*ss Music (circa '03? '04?).

Since folks seemed to enjoy the “
All I Want” clip posted here a few weeks back, I thought I'd post another tune from the Fearl*ss Music sessions.

As before, same rules apply - the audio is unmixed/garage rock-esque, I look kind of out of it and the singer (aka yours truly) can hardly hear himself (not my personal best) over the din of the crazy rock combo but once again…

Ah, the sound of youthful, rock 'n roll exuberance...

The Band -

Cheri Leone: backing vox/percussion
Matty Karas: gtr/backing vox
Greg Beshers: lead gtr/backing vox
Tom Ward: bass
Ed Klinger: drums
MB: creative caterwaulin

www.markbacino.com
www.dreamcrushmusic.com

Monday, November 8, 2010

Reelin' in the Years



Stumbled upon this live version of "All I Want" while poking around the vaults the other day. Thought I'd dust it off and post it here. The clip comes from an appearance I made on the television show Fearl*ss Music (circa '03? '04?).

The audio from this raw footage is unmixed and a little distorted sounding, giving the song a sort of garage rock quality which I kind of like for reasons unknown to me. I also look somewhat "elevated" in this clip for reasons unknown to me now as well. Free, on set tallboys, perhaps? Just say no to drugs, kids.

One of my few memories from this taping (aside from the free beer) was the troubling lack of adequate vocal monitors on set - hearing one's voice over the band was a bit of a, let's say, challenge? But hey, no excuses folks, I am, after all, a semi-professional.

Not my best performance but... Ah, the sound of youthful, rock 'n roll exuberance...

The Band -


Cheri Leone: backing vox/percussion

Matty Karas: gtr

Greg Beshers: lead gtr

Tom Ward: bass

Ed Klinger: drums

MB: glassy-eyed skifflin'


www.markbacino.com
www.dreamcrushmusic.com

Wednesday, August 18, 2010

Laugh Clown Laugh


(Mobile users click here to view video)

In keeping with a long-standing, self-deprecating (& honestly somewhat perplexing) tradition of making a fool of myself in the name of an album release (see here & here), I give you the video for "Happy", the single from my new album, "Queens English".

Obviously, it's one of those clips wherein you question whether this kind of behavior is beneficial to one's career... but since I'm never quite sure I actually have one, I figure I'm good to go; why not climb out on that shaky limb and have a little fun in the process?

Or who knows? Maybe I'm just one of those cryin' on the inside kind of clowns.

www.markbacino.com
www.dreamcrushmusic.com

Sunday, August 8, 2010

The Gig

Ah, the gig... Simultaneously the thrill and bane of a performer's existence (or at least this performer's). A bubbling Diet Coke-meets-Mentos combination of nervousness and excitement - Will it suck? Will it be cool? Will five people come out or 150? Will the bartender cut off our free drinks?

In my case, all those questions are forgotten and invariably melt away as the first chord sounds and my attentions turn toward the simple joy of making music with friends and connecting with a live audience.

Such was, indeed, the case last week at our Pete's show in Brooklyn as a warm, summer Monday evening - not generally the recipe for record attendance - predictably yielded a small but loyal crowd while the band and I took to providing our take on the popular song format.

Later, during the after-set hang (sometimes just as much fun as the set itself), I found myself meeting, getting to know and
having a blast with a very cool group of peeps who, flatteringly, care close to as much about my music as I do despite them being extremely intelligent and successful folks ;-) Always a humbling experience; one for which I'm eternally grateful and never take for granted.

Although the music business finds itself in a bad way
these days, fraught with many pitfalls, I can think of very few "9 to 5's" (barring obvious philanthropic endeavors) that offer the kind of fulfillment and human connection described above.

Ah, the gig... Nice work if you can get it.

A low-res, iPhone vid from the show featuring yours truly and the band (from L to R): Matty Karas, Jay Sherman-Godfrey, John Lee, Cheri Leone and Bob Byrne



www.markbacino.com
www.dreamcrushmusic.com


Thursday, July 29, 2010

The Kids Wanna Rock

"Turned on the radio
Sounded like a disco
Musta turned the dial for a couple of miles
But I couldn't find no rock n' roll

This computerized crap ain't gettin' me off
Everywhere I go - the kids wanna rock" - Bryan Adams

First off, just wanted to remind everyone that the band folk and I will be playing some new jams and some old faves at Pete's Candy Store in Brooklyn this coming Monday night (8/2, 8p) as we celebrate (somewhat belatedly) the release of my newest long player, "Queens English". If you're free, please join us as we make a racket in the back room then retire to Pete's awesome garden for a mid-summer night's libation under the stars. Details below -

Mark Bacino
Mon. August 2, 2010 - 8pm

Pete's Candy Store

709 Lorimer Street

Brooklyn, NY 11211

718.302.3770

www.petescandystore.com
*Free Admission*


Lastly, in quick literary transition from live to Memorex -
It struck me this week, in a wave of randomness, just how much I rely upon YouTube vids these days while investigating new musical finds. After, say, reading about a new band or artist, I find myself, almost reflexively, hitting my YouTube browser tab long before heading to iTunes, MySpace, etc. Usually I find your standard issue, MTV-era, bells and whistles video or a DIY Flip Cam vid but sometimes I land on a fan made clip, as I'm sure you have, consisting of nothing more than a tune from the band in question along with a static picture lasting the entire duration of the song. You would think given the obvious nature of YouTube as a visual platform this would be a detriment to the video's popularity but often I find these "static" vids to have thousands of plays. Go figure - The fascinating nexus of YouTube as Web 2.0 jukebox and modern man's uncanny ability to bend technology toward never intended uses coupled with his timeless need to simply get his groove on.

It's with all these lofty concepts in mind that I thought it might be fun to post some music from my new album in simple, YouTube neo-jukebox form -

www.youtube.com/user/MBacino


I suppose no matter the medium, the kids still wanna rock.

A wise Canuck that Mr. Adams, no?

XO,
-mb

www.markbacino.com

Thursday, June 24, 2010

On Your Radio

On your radio, On your radio, You're gonna hear me on your radio... - Joe Jackson

As some of you may know, I've been doing a lot of radio over the past month or so to help spread the word about my new album, "Queens English". In the process I've had a lot of fun, met a bunch of fine folks and learned a little along the way. Despite the sad state of corporate-run, commercial radio in this country, with it's generic playlists and endless commercial breaks, in my experience I'm happy to report that the medium of radio, along with it's true free-form spirit, is still alive and well; You might have to look a little harder for it but it's out there in the form of specialty shows, college stations, local broadcasting and the like.

And now thanks to the wonder of the interwebs, many of these aforementioned radio programs can finally enjoy a wider-then-ever-before reach via live internet streaming and podcasts, etc., no longer restricted by the limitations of signal strength or the lack of funds en route to finding a larger audience.

It's with all this in mind that I thought I'd share with you a podcast from one of my recent radio appearances. Back on June 5th I was lucky enough to be DJ Michael Shelley's guest on his always awesome, number-one-hits program which broadcasts via a stronghold of free-form radio, the mighty WFMU. If you haven't listened to Michael's show before you really should; with it's eclectic mix of pop, country, soul and a little dead-pan humor sprinkled throughout, it airs most Saturdays 11a -1p (EST) on 91.1 FM in NY/NJ and, of course, on the web streaming at WFMU.org. In addition to his DJ-ing expertise, Michael also happens to be one of my favorite singer/songwriters with numerous excellent albums to his credit. Please check out all things Mr. Shelley at his website when you get a moment.

So without further ado, here's my segment on The Michael Shelley Program, WFMU, NY 6/5/10 (thanks Michael for having me!) -








(Here's a link to the show for the Flash challenged among us)

www.markbacino.com

Monday, June 14, 2010

Speakin' The Queens - (Episode 5)



Check out Episode 5 of "Speakin' The Queens"; the video portion of my Blog and the world's only music Vlog to come to you direct from a Queens, NY living room.

This episode features music* from yours truly and special guests Cheri, Matty and Chris, collectively known as The Trouble Dolls; a great pop band based in NYC. The T Dolls are currently in the studio working on a new collection of songs while their 2003 album, “Sticky” (Half a Cow), is a must have for fans of all things melodic. Those with a keen eye might also recognize Cheri and Matty from their moonlighting gig as longtime members of my live band.


Many thanks to The Trouble Dolls for doing the show. Please visit them on the web at -

www.troubledolls.com


*All songs copyright 2010 by their respective artists.

www.markbacino.com

Wednesday, June 9, 2010

Rock Show

Just a quick, save the date, note this week to let you guys know that the band and I will be playing a gig at the world's famous Pete's Candy Store in Brooklyn, NY Monday August 2nd at 8pm.

Kickin' out jams old and new, please join us and celebrate the release of my album, "Queens English".


To get the band psyched for the gig, I've begun weekly pep talks post-rehearsal. Since you all are like family, I thought I'd record one and share it (listen here). Hopefully you too will find this little speech inspirational.

See you in August!

Show details...

Mark Bacino Live

Mon. August 2, 2010 - 8pm

Pete's Candy Store

709 Lorimer Street

Brooklyn, NY 11211

718.302.3770

www.petescandystore.com
*Free Admission*


The Band -

Matty Karas
Cheri Leone
John Lee
Bob Byrne
Jay Sherman-Godfrey


www.markbacino.com

Tuesday, June 1, 2010

Speakin' The Queens - (Episode 4)



Episode 4
of "Speakin' The Queens"; the video portion of my Blog and the world's only music Vlog to come to you direct from a Queens, NY living room.

This episode features music* from special guests Jay Sherman-Godfrey and Laura Cantrell as well as a tune from yours truly.

Jay is a singer/songwriter, producer and guitarist who has worked with Laura Cantrell, Amy Rigby, They Might Be Giants and Michael Shelley to name a few.

Laura is an acclaimed singer/songwriter with several albums to her credit and
a fanbase that includes Elvis Costello (whom she's toured with) and Lucinda Williams.

Big thanks to Jay and Laura for doing the show. Visit them on the web at -

www.jayshermangodfrey.com
www.lauracantrell.com


*All songs copyrighted 2010 by their respective artists.

www.markbacino.com

Thursday, May 27, 2010

Brooklynese

Thought I'd take up a little Blog space this week to talk about my new album's little, rough-around-the-edges cugino - the "Brooklynese" EP.

Conceived as a sort of completist's companion piece to the "Queens English" LP and included as part of the "QE" Deluxe Edition , "Brooklynese" contains some outtakes and demos culled from the "QE" studio sessions.


Since the "QE" LP received a track-by-track breakdown on this Blog in the weeks leading up to it's release, I figure it only fair to give it's King's county counterpart the same treatment in similar (albeit condensed) fashion so here goes...

"Brooklynese" EP -

Trk. 1: "Neighborhood Girl" - Discussed briefly in this space via an earlier post, this tune was actually the first song recorded for the "QE" album. Although lyrically in keeping with the theme of the record, as the recording of the album progressed, "Neighborhood Girl" unfortunately began to reveal itself as musically the odd-man-out amongst this collection of new songs. With it's modern pop production values stylistically more at home, say, on a Fountains of Wayne record than on one of my records, I ultimately made the tough call of excluding the song from the final "QE" running order. I think I made the right choice in terms of the overall sonic vibe of the album but that said, I was sad to see the song cast to the wilderness. Featuring long-time Rollins Band drummer, Sim Cain, I'm happy
"Neighborhood Girl" can finally get her day in the sun via this EP.

Trk. 2: "Muffin in the Oven (demo)" - Recorded as a rough and tumble blueprint intended as a guide for the session players on the official album recording and featuring maybe the world's first heavy metal kazoo solo, this demo is not without it's homespun charm. Another highlight (or possible attempt to avoid further kazoo abuse) features a decision to flesh out what would eventually become the track's horn arrangements using the vocal prowess of 'The Markettes' (I know them pretty well and they work cheap).

Trk. 3: "Bridge & Tunnel (demo)" - Recorded as a sketch for what would eventually become a solely orchestral rendering on the album and featuring a more earthy, acoustic-driven, back-porch feel, this demo presents a totally different and (hopefully) interesting take on this "QE" cut.

Trk. 4: "Make Something Happen" - Loosely intended to be fashioned into a song for the "QE" album, this tune's basic chord changes and melody line ultimately became the basis of a pitch my 'shilling-for-the-man' alter-ego made for, of all things, an Amex commercial jingle. Sadly (or fortunately depending upon how you look at it), the track never made the cut. When listening try and picture Ellen DeGeneres dancing to this Wilson-esque little ditty. Sorry if that mental image is distressing.

For more info on the "Brooklynese" EP or the "Queens English" Deluxe Edition, visit DreamCrush Music.

www.markbacino.com

Tuesday, May 18, 2010

Speakin' The Queens - (Episode 3) Album Release Day!



Episode 3 of "Speakin' The Queens"; the video portion of my Blog and the world's only music Vlog to come to you direct from a Queens, NY living room.

So with album release day finally upon me, thought I'd do a quick video, raise a glass and toast all the fine folks who helped make "Queens English" a reality.

Many thanks to you all for your kind words of support during the making of this album. I truly hope you guys enjoy the record.

Cheers! Salute! Mazel tov!

...Man, I'm drunk.

XO,
-mb

"Queens English" song samples and purchase info can be found here -

www.dreamcrushmusic.com
www.markbacino.com

Friday, May 7, 2010

Speakin' The Queens... Pt. 11

As the release date for my new album, "Queens English", approaches (5/18), I thought it might be a fun idea (if only for me) to try and maybe dissect the record here at the old Blog space. A bit of a behind the scenes look under the hood so to speak. Since I've always dug reading about some of my favorite albums track-by-track, I thought that might be an interesting way to approach. Eleven tracks in eleven installments? Can I pull it off without boring even myself? I suppose the answer is 'yes' since this marks the final chapter but anyway, pull up a metal recliner and crack open a Piels, there's still one more question that needs to be addressed...

Track 11: "Who Are Yous?" -


As I focus on the last track of the record this week, I realize the song's title could also be used to sum up the musical journey of self-discovery traveled in the creation of this album. From the very DIY production methods I found I needed to employ in order to achieve my vision, to the (sometimes unknowingly) autobiographical nature of the songs, this project, ultimately, helped me come to terms with where I'm at and what I'm about these days.

Written from the hard-boiled perspective of a neighborhood old-timer and intended as a response to the gentrification celebration that is the album's title track, "Who Are Yous?" also, hopefully, serves as a minimalistic mini-metaphor, highlighting those occasions of flux in our lives when we're forced to look within, ask big questions and reconcile, for ourselves, who we are with who we were and who we thought we'd be.

Who Are Yous?

Who are yous?
Who are yous?
Speak when you’re spoken to
Who are yous?

Could always sit out here
My lawn chair and a beer
And listen to the game

But since you kids appeared
With your long hair and your beards
Nothing is the same…

Who are yous?
I said who are yous?
Speak when you’re spoken to
Who are yous?
What’s this world coming to?

Who are yous?

Much love to everyone who has read and listened over the course of these eleven weeks. I truly appreciate your interest and support. Thank yous!

www.markbacino.com

Monday, May 3, 2010

Speakin' The Queens - (Episode 2)



Episode 2 of "Speakin' The Queens"; the video portion of my Blog and the world's only music Vlog to come to you direct from a (tastefully furnished) Queens, NY living room.

This episode features some recently unearthed footage from a show the band and I did at The Living Room, NYC back in May of '09.

www.markbacino.com

Friday, April 30, 2010

Speakin' The Queens... Pt. 10

As the release date for my new album, "Queens English", approaches (5/18), I thought it might be a fun idea (if only for me) to try and maybe dissect the record here at the old Blog space. A bit of a behind the scenes look under the hood so to speak. Since I've always dug reading about some of my favorite albums track-by-track, I thought that might be an interesting way to approach. Eleven tracks in eleven installments? Can I pull it off without boring even myself? Stick around, find out and meet my one boy cuddly toy, my up, my down, my pride and joy.

Track 10: "Ballad of M & LJ" -

In an attempt to add a little balance to the album when it came to the subject of parenthood, I thought it would be cool to include a track that would vouch for the sheer awesome-ness of being someone's Dad. As such, "Ballad of M & LJ", written for my son, celebrates life with my boy and also serves as my self-response to the polar opposite sentiments on child rearing offered up earlier in the album with "Camp Elmo".

From an intellectual standpoint, the writing of a tune like this can be kind of tricky - too overly sentimental and some folks will inevitably tune out; Not sincere enough and it can all seem disingenuous. Thankfully I quickly came to my senses, kicked all those conscious thoughts to the curb and just wrote from the heart. Seemed like the better plan.

Ultimately, "Ballad..." presented itself as a very simple narrative chronicling a day in the life of Mama P's two boys busy doing nothin'; highlighting those everyday little minutes that don't seem to count for much but, in reality, add up to it all.

Musically speaking "Ballad of M & LJ" features the fine French horn work of Rob Jost, the pretty backing vocals of LJ's Mom herself, Mrs. Bacino and yours truly on all other sonic embellishments.

Hey LJ, this one's for you, big; it's your song. Think of your ol' mom and pop sometime when you hear it. Love u.

Ballad of M & LJ

Hangin’ with Lee Joseph
It’s the greatest thing I’ve ever known
Just kicking cans and skippin’ stones
With you…

Hangin’ with Lee Joseph
No two finer pals the world has seen
A one and one half wrecking team
Us two…

We might eat three ice cream cones
We might even listen to The Kinks
When your Mommy’s not home

Singin’ La, La, La, La…

And there will come a day
When you say, “Daddy, aw go away”
That’s okay…

We might finger-paint the cat
We might even do a little dance
On that bubble wrap

Hangin’ with Lee Joseph
It’s the greatest thing I’ve ever known…

Next time on "Speakin' The Queens...", we come to the end of our musical word parade with Track 11, "Who Are Yous?".

Friday, April 23, 2010

Speakin' The Queens... Pt. 9

As the release date for my new album, "Queens English", approaches (5/18), I thought it might be a fun idea (if only for me) to try and maybe dissect the record here at the old Blog space. A bit of a behind the scenes look under the hood so to speak. Since I've always dug reading about some of my favorite albums track-by-track, I thought that might be an interesting way to approach. Eleven tracks in eleven installments? Can I pull it off without boring even myself? This week visit Middle Town and find out...

Track 9: "Middle Town" -

Leaving Manhattan and moving back to Queens in the fall of 2001, I
randomly Googled the name of my new hood one evening if for no apparent reason other than late-night boredom; Having grown up within fairly close proximity, I knew a decent amount about the neighborhood but in reading the town's history I came to discover a good deal more. It seems this working-class area situated in central Queens was once considered by it's early English settlers to be the mid-point between the towns of Williamsburg, Brooklyn and Jamaica, Queens on what was then known as the Williamsburg/Jamaica Turnpike (now Metropolitan Ave). Tired farmers often spending the night in this hood during their long, horse-drawn commutes to and from market in Brooklyn and Manhattan. Given the serious middle class makeup of my neighborhood in it's current incarnation, this apropos bit of logistical history kinda stuck with me, hitting home over time, as a pretty cool metaphor.

A few years down the line as the writing of this new album progressed and began revealing it's core theme to me as heavily influenced by my current life in the outer-boroughs, I thought it might be cool to work the idea of my aforementioned 'middle town' into the mix. Springboarding from there, I started to think about a lot of the peeps I grew up with and a lot of the folks I currently live alongside; most of them straight-shooting, hard-working, hard-core locals who have no need for or interest in (beyond maybe their work life) what's going on in "the city" (aka Manhattan) making for one seriously ironic, near-middle American, small-town credo tucked inside one of the largest, most progressive cities on the planet.

As a teen dreaming self-absorbed, bright lights/big city dreams of rock stardom in his Queens bedroom, I judgmentally found this "provincial" mindset to be kind of lame and uninspired - the brightest and most creative minds from all points are gathering 20 minutes across the river and you'd rather hang out on the stoop and listen to the ballgame?!

Life's funny, isn't it? As you make that personal commute, all the square, unimportant stuff your parents filled your head with (if you were lucky) - hard work, family, a sense of place and belonging - it all, somehow, seems a bit less square over time. The act of simply putting food on the table and a roof overhead becoming a more than noble struggle.

Maybe, like every know-it-all teen and twenty-something before me, I needed to teeter on mountain's edge before I could come to value and respect the stability of some solid middle ground.

Middle Town

Hear the bells, hear the sound
Noon is coming ‘round, in this middle town
Took a break from the pace,
Left the rats to race, in that city town

Took the kids to school, I’m still their Dad,
Say hello to Mrs. Leary,
“Sit on the stoop with me lad”

I was born, I was raised
Seven blocks away, in this middle town
I never bothered, never cared,
Never chased the fad, in that city town

Happy just to hang with my boys
Standing around down on the corner
Yeah, you know we made some noise

There’s no shiny towers here
We built them in the city town
Just some kids and they’re running ‘round
Chasing Softee down…

Hear the bells, hear the sound
Evening’s coming down, in this middle town
The working day’s had its say, make your getaway
From that city town

Tired subway rides, half alive
Trying hard just to remember
How noble it is to survive… and hold your ground
In your middle town

In your middle town
In your middle town

Next time on "Speakin' The Queens...", people let me tell ya 'bout my best friend with Track 10, "Ballad of M & LJ".

Thursday, April 15, 2010

Speakin' The Queens... Pt. 8

As the release date for my new album, "Queens English", approaches (5/18), I thought it might be a fun idea (if only for me) to try and maybe dissect the record here at the old Blog space. A bit of a behind the scenes look under the hood so to speak. Since I've always dug reading about some of my favorite albums track-by-track, I thought that might be an interesting way to approach. Eleven tracks in eleven installments? Can I pull it off without boring even myself? Got me. Stay tuned and find out... Hey, does this jacket make me look fat?

Track 8: "Blue Suit" -


Not quite sure what provoked such a random thought, but it occurred to me one day, likely while staring blankly into my closet, that a lot of dudes probably own only one dress suit (don't say you weren't warned about the randomness). Maybe I'm generalizing but I'd venture to guess that most non-corporate-raiding types, such as myself, usually have that one, all-purpose Men's Wearhouse sitting under the dry cleaner's plastic patiently awaiting it's call to arms like some sort of sensible, low-thread-count sentry. Riffing on these thoughts like a mentally disturbed haberdasher, "Blue Suit" soon made it's way out of my head and onto the rack.

As I sketched out the bones of this melancholy lyric, I found my lonely, well-dressed comrade becoming more character than metaphor. A manic depressive figure that only seems to materialize 'round the highest of highs and lowest of lows. Kinda like that old, grade school friend you only see at weddings and funerals these days who still knows you better than most, having seen you through your best and your worst.

Blue Suit

Saw it hanging there today
Neatly pressed and tucked away
Oh, my blue suit, my blue suit

Stood above my father’s grave
The sadness like a tidal wave
In my blue suit, in my blue suit

It’s kinda worn and frayed
It’s seen my worst and better days

Humbled by her wedding gown
The clouds gave way, the sun shined down
On my blue suit, on my blue suit

It’s never worn the doldrums of an ordinary day
Its only world, black tie and pearls, sunshine and gray

It’s kinda worn and frayed
It’s seen my worst and better days

Probably wear it one last day
Say goodbye and go our way
Oh, my blue suit, my blue suit…

Next time on "Speakin' The Queens...", I try and hit one to center with Track 9, "Middle Town".

Thursday, April 8, 2010

Speakin' The Queens... Pt. 7

As the release date for my new album, "Queens English", approaches (5/18), I thought it might be a fun idea (if only for me) to try and maybe dissect the record here at the old Blog space. A bit of a behind the scenes look under the hood so to speak. Since I've always dug reading about some of my favorite albums track-by-track, I thought that might be an interesting way to approach. Eleven tracks in eleven installments? Can I pull it off without boring even myself? Got me. Stay tuned, find out and meet me 'cross the river.

Track 7: "Bridge & Tunnel" -


In keeping with the New York-centric theme of the album, "Bridge & Tunnel" attempts to take a classic Manhattanite snobbery and turn it inside out. Generally a pejorative term aimed at the residents of the outer-boroughs, my "Bridge & Tunnel" quietly reverses the subject of disdain via a lush bed of strings and the proud internal dialog of one B & Ter's late-night drive back home across the river. A hard-core piece of townie retribution for sure and to be honest probably a long overdue one at that.

Now to be totally fair, myself having lived on both sides of the East River, I can honestly say the derogatory B & T moniker is not entirely unfounded on occasion. I can tell you first hand that one truly
hasn't lived until three custom Jeeps laden with kids from the Bronx and satellite dish-sized woofers all decide to park under your apartment window at 3am, tune to the same radio station and proceed to have an impromptu rave on a Thursday night. I get it. It's a bit much.

That said, there's still that defiant, little working-class voice of a kid from Queens inside of me that wants to yell up to that three-thousand-dollar-a-month apartment window and join the boogie-down chorus.

On record, "Bridge & Tunnel" features the multi-layered string work of Jacob Lawson, the cello of Steven Stalker and the upright bass of Lee Alexander, Norah Jones' longtime producer and bassist, recorded at Norah's home studio, The Coop. Many thanks to Lee for graciously lending his talents and doing me a solid.

Bridge & Tunnel

Bridge and tunnel
Take me where I long to be
The real NYC
Oh, bridge and tunnel

Disco queens
Hopes and dreams
The living and the dying
The laughing and the crying
In-between

Traffic might be moving slow
On the other side of the road
But I’m rolling like the river below
‘Cause I’m going where nobody wants to go…

Brooklynese
“Beater” tees
Struggling, surviving
Resourceful, enterprising
If you please

Bridge and tunnel
Make Manhattan disappear
‘Cause no one’s really from here
So give ‘em all a Bronx cheer
Just for me…
‘Cause the butt of all their jokes
Are the wheels and the spokes…of the city.

Next time on "Speakin' The Queens...", I try Track 8 on for size, "Blue Suit".